MA in Music
The Music Department offers courses of study leading to the degrees of Master of Arts, Doctor of Musical Arts, and Doctor of Philosophy.
All programs are designed with an emphasis upon music within its interdisciplinary, cultural, and intellectual context. Our programs combine the comprehensive study of music literature, historical styles, and performance practices with the most recent analytical methodologies.
In addition to more conventional degree programs (Musicology, Performance, Composition), the Department of Music offers a degree in Historical Performance Practices, supported by a large collection of period instruments—harpsichords, a fortepiano, chamber organ, and various string/wind instruments—and the longstanding, internationally recognized departmental journal, Performance Practice Review.
The department also sponsors a public concert series that includes weekly faculty, guest artist, and student recitals.
Chair: Robert Zappulla
251 E. 10th Street • Claremont, CA 91711 • 909-607-3289 • Fax 909-607-3694
Professor of Music
Fred W. Smith and Grace Hobson Smith Chair in Music
Chair, Department of Music
Professor of Music
Helen M. Smith Chair in Music
Composition, Conducting, American film music, 20th- and 21st-Century music, American composers
Professor of Music
Fred W. Smith and Grace Hobson Smith Chair in Music
Chair, Department of Music
Harpsichord, Historical performance practices, Baroque music
Assistant Professor of Practice
Piano, Fortepiano, 18th & 19th-century performance practices, 20th century atonal piano compositions, digital keyboard laboratory, the board of directors of Los Angeles Master Chorale: Education Committee and Gala Host Committee
Visiting Assistant Professor
Jean-Philippe Rameau, French Baroque Music, the History of Music Theory, Piano Music, and Opera
Harvey Mudd College
Traditional music around the world, Indonesian gamelan, computer music, abstract animation and visual music, and alternate tuning systems
Scripps College
African diaspora with specialization in its literature
Pomona College
Music theory and analysis, 20th-century American popular music, Mathematical models of music
Adjunct Professor of Music
Baroque/modern cello, Violoncello piccolo (5-string cello), Viola da gamba, French Baroque music, The music of Louis De Caix d’Hervelois, Cello ensemble music, Early ensemble music, Historical performance practices, Performance-practice issues in J.S. Bach’s cello suites, String pedagogy
Adjunct Professor of Music
Piano, Modern music and chamber music of all eras
Adjunct Professor of Music
Vocal performance, Opera
Adjunct Professor of Music
Conducting, Composition, Contemporary Music, World-Premiere Chamber Operas, Choral and orchestral performance practices
Adjunct Professor of Music
Organ
Adjunct Professor of Music
Piano, Toy piano, Harpsichord, PercussionPiano, Contemporary music, Piano performance practices
Adjunct Professor of Music
Violoncello, Chamber music, Film orchestration
Adjunct Professor of Music
Baroque cello, Conducting, Gamba, Historical performance practices
Adjunct Professor of Music
Clarinet, Chamber Music
Adjunct Professor of Music
Vocal performance, Opera, Studio instruction (applied voice), Voice class, Song literature and diction, Music theory, and Music history
Adjunct Professor of Music
Composition, Conducting, Piano
Kenneth Cotich
PhD Candidate
MicroFest and the Guitar: A Legacy of Microtonal Guitar Works Premiered at MicroFest 1997-2018
Nancy van Deusen (chair), Bill Alves, Robert Zappulla
Ying Han
DMA Student
Piano Performance, Historical Instrument Performance, Chamber Music
Yuzhou Huang
DMA Student
Piano Performance of Classical and Jazz, Collaborative Piano, Piano Pedagogy
David Isaacs
DMA Student
Historical Performance Practices, vihuela da mano, Baroque guitar, J.S. Bach, historically informed arranging
Anderson Isiagu
PhD Student, Musicology
African Music Composition – Aspects of Incompatibility with Western Music Harmonic Principles
Yamille Jaievsky
PhD Student
Musicology, Topology, Negative Harmony, Historical Performance Practices.
Beth Mays
PhD Student
21st Century Music, Renaissance and Early Music, Handbell Music
Robert Normandie
PhD Student, Musicology
20th Century music, Claude Debussy, film music, composition, 19th Century guitar
Steven Ottományi
PhD Student, Musicology
Performance practice, chant performance practice, modal theory, music of the California missions, Mexican Renaissance and Classical era choral music
Syrina Robinson
MA Student
Baroque Flute, Historical Performance Practices, J.S. Bach, Romanticism
Michael Stanley
DMA Student
Music of Underrepresented Composers, Historical Performance Practice, History of the Orchestra, History of Conducting
Pin Fei Tang
PhD Student
Music
Rebecca Holman Williams
PhD Student, Musicology
Pedagogy, music pedagogy, transdisciplinary studies
The Music Department facilities encompass a wide array of options for students, including practice spaces, pianos, and two double-manual harpsichords. In addition, students studying with Scripps and Pomona College faculty members have access to those schools’ practice facilites.