David Amico
Associate Professor
david.amico@cgu.edu
Michael Brewster
Professor
michael.brewster@cgu.edu
Rachel Lachowicz
Assistant Professor
rachel.lachowicz@cgu.edu
David Pagel
Associate Professor, Chair
david.pagel@cgu.edu
 
Emeritus Professors
Roland Reiss
Connie Zehr
 
Andrea Bowers
Anne Bray
Katie Grinnan
Carmine Iannaccone
John Millei
Michael Reafsnyder
Curtis Stage

 

Iva Gueorguieva
Christian Tedeschi

David Amico

David Amico has been pursuing non-serial abstract painting since the early 1980s. The forms, shapes, and linear elements found in the recent abstract paintings of Amico’s Drift-Trace series are derived from the urban detritus drifting through the streets of the Skid Row neighborhood that surround the artist’s studio.
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Michael Brewster

Michael Brewster is a visual artist who works with sound’s spatial effects to promote sculptural sensations of space. He has been making sound art since 1970. His two main series, the Sonic Drawings and the Acoustic Sculptures, both use sound in space to generate expanded experiences of drawing and sculpture ideas.
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Rachel Lachowicz

Rachel is known for turning her witty eye on the masculine-centric world of Modernism and for making radical incursions into the canon of art history by reconfiguring famous works. She falls under a multitude of headings: feminist, appropriationist, post minimalist, conceptual artist, and conceptual sculptor.
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David Pagel

David Pagel is an art critic who writes regularly for the Los Angeles Times. He is an adjunct curator at the Parrish Art Museum in Southampton, NY.
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Anne Bray

Specifically she directs Freewaves, a non-profit arts organization presenting a decentralized video and new media festival every two years at art venues in Los Angeles, on web, public TV, and video billboards.
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Katie Grinnan

Her work has always been concerned with hybrid techniques, approaching sculpture from the perspective of the expanded field. For many years she has been working with photographic imagery in her sculptures.
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Carmine Iannaccone

I've always been troubled by the term "natural history." Doesn't it seem as though the processes which transform nature are too indifferent to constitute the kind of narrative we call "history?" On the other hand, those processes are so incredibly patterned. Doesn't that orderliness indicate an action that is organized and directed?
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John Millei

http://www.acegallery.net/millei.php

 

Curtis Stage

Much of Curtis Stage's work is an exploration of sound and vision,which collides the worlds of contemporary music and art.
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Michael Reafsnyder

Michael Reafsnyder received his BA in Studio Art at ChapmanUniversity and his MFA at Art Center College of Design in Pasadena. 
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Andrea Bowers

Andrea Bowers has an MFA from CalArts and lives and works in Los Angeles. She is represented by Susanne Vielmetter Los Angeles Projects, Andrew Kreps Gallery in New York, Galerie Mehdi Chouakri in Berlin, Galerie Praz-Delavallade in Paris, and Van Horn in Düsseldorf.
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